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ShopTalk - Brilliance in Performance - Voice Warmup Part 2

BRILLIANCE IN PERFORMANCE
Or... how to avoid the warble that only dogs can hear (Part Two)

Originally published in ShopTalk on 2/4/98.

Picking up where we left off on the last article (Voice Warm Up, Part 1), you need to make those open, breathy sounds warm up your voice and get it ready to set the world on fire (preferably with your stunning sound, not your breath!).

This article begins with the next step... that of introducing full sounds.

Again, we’re making sounds not words. After doing the breathy sounds, we move into full, "on voice" sounds. Meaning; before, we wanted a mixture of breath to sound that was 70% breath, 30% sound; here it's 50-50. So it'll sound more like a voice you could actually talk with, only more open than you’re probably used to.

Remember to initiate your breathing from your lower abdomen, relax your jaw, open to about a finger's width between your molars, keep your tongue flat or slightly concave, tip of the tongue against the bottom teeth and let your face feel totally relaxed; like silly putty melting off your skull. Your first sound will again be "AH". Inhale silently with an open throat and exhale a single AHHH for a couple of seconds.

You’re going for a sound here that’s a bit richer and fuller than the breathy sounds. The accompanying image can be that it originates in your lower torso, vibrates through your upper chest, moves past your throat with no obstruction – and releases out of your mouth.

The throat should feel wide, soft and relaxed, inside and out. It may take a few days to get the feeling, so be patient. If your sound seems more in your throat, try yawning, or firmly tapping (don’t make it hurt!) your sternum with your fist so your sound is like an Indian chant. This often triggers the throat to release and allows the sound to vibrate in your chest instead. Do this a few times, then swallow to moisturize your throat and yawn. Yawning is very good for your voice; it relaxes you, opens the throat and vocal cords, makes you salivate (moisture is vital to good sound) and is fun. Fun is a must!

Do the same thing on the OH, UH and AY sounds. Remember to keep the sound forward, don't use your lips to form the OH, and bump the middle of the tongue up a bit on the AYYY. Power your breath and sound by using your lower torso and abdomen. Try these sounds in sequence, then try mixing them up. The main thing is they should all feel similar or the same. You should feel them vibrate in your body more than you normally do. They also won’t sound quite the same as you’re used to… since when there’s tension in the throat, sound vibrates more exclusively in the throat area (closer to the ears). When the throat opens, resonance occurs in more parts of the body – and sound vibrates all around.

Once you feel fairly comfortable making these sounds, you'll want to utilize the lower body to give you more support both physically and energetically. By this I mean that while we all know we have great strength and energy in our legs, feet, thighs and buttocks; we're not brought up to know that these same muscles should support how we breathe and speak.

So try this to get the feeling: first, lying down on your back with your knees bent, feet flat on the bed or floor. Keep your throat open and your face, neck and shoulders relaxed. Inhale, then exhale a full, on-voice AH sound… and at the same time, push your feet firmly into the floor or bed. The small of your back should come down flat as you release this sound. Your pelvis will tilt slightly. Try this a few times. You should feel energy moving from the bottom of your feet up through your body as you release sound. Feel how this creates a powerful connection between your legs, thighs, pelvis, buttocks and your voice. Try it sitting in a chair, too: inhale, then push your feet into the floor, lower back into the back of the chair as you release your UH sound.

It helps to energize the lower body too. Here’s one quick and great way to do it; lying on your back again, flex your feet, keep the legs straight and kick your legs left and right. It’s kind of like having a temper tantrum, only without the temper or the tantrum… just the kicking! Kick fairly hard onto the bed, couch or whatever surface you can use to really cut loose. Do it quickly – what you’re trying to do is wake up the energy in your legs, create some warmth, tingle and breath engagement in this process. After about 10 or 20 kicks, relax the legs and feel your body. If you’ve done enough of them, you’ll feel surge of energy happening – I call it a “whoosh”. See how far up the body you can bring this sensation… try to get it up into the lower torso. This is lower body energy! It can also be stimulated while standing; by stamping the feet, slapping the legs, running in place – or whatever works for you as a “shake ‘em up” activity.

Connecting with the lower body energies in this way will result in grounding your voice into your body and juicing it up by using the most powerful muscles – and energy for support - in the body. Do exercises, then try making your sounds again and feel the difference!


Choose another article from this category

ShopTalk - Brilliance in Performance - Voice Warmup Part 2

ShopTalk - Brilliance in Performance - Simplicity

ShopTalk - Brilliance in Performance - Your Voice Print Is You

ShopTalk - Brilliance in Performance - Get The Picture Part 1

ShopTalk - Brilliance in Performance - Are You Listening

ShopTalk - Brilliance in Performance - Breathing 1 1

ShopTalk - Brilliance in Performance - Now That I Have Your Attention

Introducing the Brilliance in Performance ShopTalk Series - You Had Me At Hello

ShopTalk - Brilliance in Performance - Get The Picture Part 2

ShopTalk - Brilliance in Performance - Relaxation and Grounding

ShopTalk - Brilliance in Performance - On-Camera Delivery 1 1

ShopTalk - Brilliance in Performance - Thoughts Before Words

ShopTalk - Brilliance in Performance - Sound Natural While Tracking

ShopTalk - Brilliance in Performance - IT Talks

ShopTalk - Brilliance in Performance - 3 and a Half Top On-Camera Tips

ShopTalk - Brilliance in Performance - Motivation and Subtext In News

ShopTalk - Brilliance in Performance - Voice Warmup Part 1

ShopTalk - Brilliance in Performance - Competant Vs Exceptional

Total Articles in this Category: 18


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