www.karenhutton.com
> Female Voice Talent
> Commercials
> Narrations
> Animation
> Promos/Trailers
www.voiceofbrilliance.com
> Broadcast Coaching
> Voice, & Talent coaching
> Television and Radio.
> e-Voice Coaching, Online, 24/7
ShopTalk - Brilliance in Performance - On-Camera Delivery 1 1

BRILLIANCE IN PERFORMANCE
or... how to come across more like a real human!

Can we talk delivery? Most broadcasters really do want to come across in the most dynamic, impactful and compelling way possible. Who wouldn’t?

In order to make that Herculean leap through the camera into our living rooms, you have to get your own little symphony going on. The one where all-that-is-you is playing simultaneously; physically, mentally, energetically and emotionally - who knew??

So, keeping it simple for starters, there are a few physical elements that you may already know, but seem to be news to a surprising number of people. These little gems usually tidy up a performance right off the bat.

When you stand in front of a camera for a full-body shot, try to do it at a three-quarter angle... as opposed to facing into the camera squarely. The square approach can make you look blocky - and sometimes rather stiff, offering nowhere to go but right where you are. Standing at three-quarters, done properly, frees you up to move just enough fore and aft to keep your stance flexible and natural-looking. It should be subtle, too. One way to gauge it is with your feet. Start by pointing your right toe towards camera (it can be done either way, but for sake of discussion I’m going with the right). Position the left foot about 12” or so behind the right, with your toe pointed at 10 o’clock. The left heel or instep should be behind the right heel. KEEP YOUR KNEES SOFT! Standing this way not only accomplishes a slight three-quarter stance, but is actually more stable than square one. It also allows you to keep more weight on your front foot. This gets you into the camera more, which automatically makes you appear more interested, engaged and dynamic in your communication. One little shift of your weight can pop you right through the camera – and into our living rooms!

This brings up the next point; when you look at the camera, look into it. Past the outer lens and right into the guts of the thing. If you can see the iris of the camera opening and closing, so much the better. Then experiment with a little tip down of the chin to open the eyes up more. Don’t go so far that you look all scary and Dracula… just find the sweet spot where those eyes really register. We (the audience) want to see your eyes - it makes us feel like you’re focused and really talking to us - not at us (remember the “eyes are the windows to the soul” saying? Turns out it’s true!). Without realizing it, many people rock their weight back and hold their head up and back too much. That particular body language gives an impression of uncertainty, aloofness, distance - to name but a few of the qualities we would like to avoid. The chin-tipped-down trick tends to help create a physical stance conveying sincerity, confidence, certainty, connectionl. That would be nice.

Watch that you don't either stare with your eyes or blink too much. I'll talk more about the starey thing at a later date, but for now remember to relax your eyes. Think of having soft eyes. When you have relaxed, soft eyes it's easier to let genuine feeling come through. You'll seem more relaxed and comfortable overall (when you are, the audience is) and you'll seem more warm and compassionate. With some luck, you'll even seem like you're talking rather than reading or searching for words. When you read or search, your eyes will get harder looking (you'll look starey) and blinkers will blink more. We, here in our happy homes, will feel like you just left us and will go in search of a snack.
Finishing with a final peeve; rampant head-nodding. One word about this - DON'T! This generally goes along with rampant word-punching, which is another future topic. When we see the head nod and bob with every single emphasis, it is not only distracting, but it comes across as not real. This is something I want to get more into next time, but for now suffice it to say that when head movement is minimized, it actually creates a more powerful, focused and impactful impression.

Next time; the internal agenda that needs to be going on in order to create the external impact you're looking for. Stay tuned!


Choose another article from this category

ShopTalk - Brilliance in Performance - Voice Warmup Part 2

ShopTalk - Brilliance in Performance - Simplicity

ShopTalk - Brilliance in Performance - Your Voice Print Is You

ShopTalk - Brilliance in Performance - Get The Picture Part 1

ShopTalk - Brilliance in Performance - Are You Listening

ShopTalk - Brilliance in Performance - Breathing 1 1

ShopTalk - Brilliance in Performance - Now That I Have Your Attention

Introducing the Brilliance in Performance ShopTalk Series - You Had Me At Hello

ShopTalk - Brilliance in Performance - Get The Picture Part 2

ShopTalk - Brilliance in Performance - Relaxation and Grounding

ShopTalk - Brilliance in Performance - On-Camera Delivery 1 1

ShopTalk - Brilliance in Performance - Thoughts Before Words

ShopTalk - Brilliance in Performance - Sound Natural While Tracking

ShopTalk - Brilliance in Performance - IT Talks

ShopTalk - Brilliance in Performance - 3 and a Half Top On-Camera Tips

ShopTalk - Brilliance in Performance - Motivation and Subtext In News

ShopTalk - Brilliance in Performance - Voice Warmup Part 1

ShopTalk - Brilliance in Performance - Competant Vs Exceptional

Total Articles in this Category: 18


Choose another article category

Article categories

Guidelines
Script Prep Guidelines, Narration Guidelines... here's your "how-to" for preparing your project to sail unencumbered through the recording/production process.

ShopTalk Articles
These articles were originally published from 1998-2000 in the popular ShopTalk series, read by 100,000 broadcasters daily. Several are now required reading in the graduate schools of some of the top broadcast journalism colleges in the U.S. Not to mention certain newsrooms nationwide...

5 Questions
We took the time to ask several industry specialists about their specific job related to the voice industry. Find out what they think...

Getting Started
Here are some articles that explain the jargon and ways of the Voice Over Industry. Hopefully they'll save newbies some time and grief in navigating through the jungle!

Experts Articles
We're asking experts who coach voice, utilize voice (or provide it!) in production... what their own experience is with their voice, and what they feel contributes to success in this field.

Voice and Talent Coaching
Looking for a good voice, talent, performance coach? How do you find one? For thoughts on these and other burning coaching-related questions, tune in...



Designed by SNP Websites LLC